Interview with Johanna Skibsrud

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About the Author: Hailing from Nova Scotia, Canada, Johanna Skibsrud is the author of two novels, Quartet for the End of Time (Norton 2014), and the 2010 Scotiabank Giller Prize-winning, The Sentimentalists (Norton 2011). She has also published a collection of short fiction, This Will Be Difficult to Explain and Other Stories (Norton 2012), and co-wrote the children’s book Sometimes We Think You are a Monkey (Penguin Canada 2014). Not only that, Skibsrud is also the author of three books of poetry, Late Nights with Wild Cowboys (Gaspereau 2008), I Do Not Think that I Could Love a Human Being (Gaspereau 2010), and The Description of the World (Wolsak and Wynn 2016).

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We like to bid a huge thank you to Johanna Skibsrud for talking with us about her inspiration in becoming a writer, her favorite books to write, and advice for potential authors and publishers. Check out her children’s books Sometimes We Think You Are a Monkey.

Meghan Reinholz: What inspired you to become an author?

 Johanna Skibsrud: Reading as a kid. I was just one of those kids who wanted to be swept away by stories. I was lucky that my mother was also a reader and was always encouraging of my writing. She never gave me the sense that being a writer was an impossible career choice.

MR: What inspired the idea behind your children’s book, Sometimes We Think You are a Monkey?

JS: The birth of my eldest niece. My best friend and oldest friend, Sarah Blacker, and I had often scribbled stories together when we were younger, and when my oldest niece was born we wrote and illustrated a story for her as a gift. The book really just grew out of our love for my niece—it wasn’t published until years later after I was more familiar with the publishing world. I like the idea of writing for kids, but I think what really makes Sometimes We Think You are a Monkey special is that close personal connection to the story.

MR: Which of your books was your favorite to write?

JS: My latest novel, Quartet for the End of Time. It was inspired by one of Olivier Messiaen’s quartet of the same name, which was completed in a German prisoner of war camp during the Second World War. I wanted to express the complexity of this piece of music in the form of a novel. It was the biggest challenge I have taken on as a writer, and I really enjoyed both the research and the experimentation that went into that project.

MR: Where do you draw your inspiration from?

JS: From my own experiences, mostly. That’s a very broad area, though. I get inspiration from little snippets of conversations I overhear, newspaper articles, encounters with my family, anecdotes from friends, and nature. I think reading and just participating in the world is the place of inspiration for me.

MR: Any advice for someone who’s looking to write their own novel/publish their work?

JS: Write and read! Listen to advice, but mostly from yourself; self-criticism (and encouragement) is very important. Send out your stories; take that leap of faith. And if it gets sent back to you, take a good hard look at it, and then send it out again, and again…


PRR Writer, Meghan Reinholz

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